The rise of artificial intelligence and machine learning raises significant new challenges and opportunities for archives and heritage. The IWM shares with the Leverhulme Centre for Algorithmic Life an interest in the theme of image and language and, specifically how new technologies may be reconfiguring human sense-making, history, and memory. IWM holds extensive archives in which audio traces are present but not currently retrievable for the study of the everyday histories and memories of war. Our collaborative doctoral project is situated in this context – ‘Sounds of the war archive: algorithmic history and memory of the lived experience of conflict’. The CDP represents a genuine opportunity to make a significant contribution to the field by examining how machine learning technologies could change how we think about, categorise, and use the less tangible data of the archives of war. Though the student should have research interests in the cultural, social and historical impacts of technology on heritage and archives, it is not necessary for them to already have specific technical skills. The Leverhulme Centre cohort of PhD students will be fully interdisciplinary and training in humanities-focused technical skills will be provided as necessary.
Research questions:
Key research questions to be addressed could include:
- To what extent does sound in the war archives offer a means to analyse the affects and emotions of war?
- Do digital technologies provide novel ways of accessing and interpreting sonic histories and memories?
- How might the use of machine learning on the sound archive change how we think about the lived experience of war and conflict? Is there potential to surface some of the marginalised or subaltern accounts of war?
- What kinds of connections, associations, and traces are present in the sonic archive and do these less tangible aspects of war change how we understand nation, memory, loss, or hope?
- Beyond oral histories, is there potential to place sound archives at the centre of the interpretation of war, opening new ways for visitors to access otherwise abstract or invisible histories?